Short film 1

Rangmanch
LOGLINE
In an underground fighting ring, ideology is sold as blood sport until the violence exposes a shadowy power profiting from a divided crowd, in a loop that never ends.

I began working in the film industry in 2019. Since then, I have worked on multiple projects as a Creative Director and Associate Director. In addition to my field experience, I have written four feature films and two short films. My journey as both a filmmaker and a writer blends technical precision with emotional depth, giving me the necessary skills to make movies that resonate with modern audiences.
Directorial work
Exceptional concepts, each with a unique visual language and cinematic identity.
Short film 1

LOGLINE
In an underground fighting ring, ideology is sold as blood sport until the violence exposes a shadowy power profiting from a divided crowd, in a loop that never ends.
Short film 2

LOGLINE
When a traumatised boy is pushed to the edge, the monster within him awakens, unleashing a darkness that terrifies the very society responsible for his descent.
Currently In Production
Writing work
Original stories, each exploring a distinct world, conflict, and theme.
Feature film script 1

LOGLINE
A pitch-perfect murder compels a novelist to write a fabricated manuscript around it, which is later adapted into a film by a director who masterfully blurs the lines between fiction and reality to execute his revenge.
Feature film script 2

Summary
Avroh is an anthology film of four short stories in different genres, each set 100 years apart. Together, they form a cautionary tale about humanity’s inherent flaws and the degradation of civilization, leading toward its inevitable doom.
Feature film script 3

LOGLINE
A vengeful Pakistani spy on a covert mission infiltrates India as a Hindu refugee, but after a deadly clash with a local gangster, his operation descends into chaos. As the 1965 war erupts, he defies orders to abort— risking certain death to strike high-value targets while being hunted by both police and criminals.
Feature film story 4

LOGLINE
A Motivational Speaker’s honeymoon in Europe turns into a nightmare when a mad scientist tries to control his mind and turn him into a suicide bomber.
On set experience · Long format
My long-format work spans numerous projects across genres, from initial preparation to on-ground execution.
Feature film
Creative Director
Feature film
Associate Director
Web series
1st Assistant Director
Amazon series
1st Assistant Director
ZEE5 OTT film
1st Assistant Director
SonyLIV series
1st Assistant DirectorPre-production
On set experience · Short format
My advertising work includes a diverse range of TV commercials, digital campaigns, and brand films.

TVC
Creative Director

TVC
1st Assistant Director

TVC
1st Assistant Director

Digital ad
1st Assistant Director

Digital ad
1st Assistant Director

Brand film
1st Assistant Director
Perspective & process
I’m drawn to the gap between what people believe, what they say, and what they do.
My ambition is to create cinema that is not bounded by political, racial, or religious borders. The aim is to craft human experiences that shine a light on universal concerns. I want my stories to connect with global audiences and leave a lasting impact long after the credits roll.
The journey begins with selecting allegorical stories featuring archetypal characters that are emotionally and intellectually engaging. Next comes the screenplay, where every minute detail is put on paper. Finally comes the execution stage, where that vision is brought to life on the largest cinematic canvas possible by selecting the right cast and crew who share an equal passion for cinema.

A little more about me
To be honest, everyday reality has always been a very mundane experience for me. When I first encountered cinema as a child, discovering powerful films left a profound impact on me and completely changed my outlook on life. My sole reason for pursuing this profession is to offer others the same transformative experiences, reminding them that beyond the ordinary routines of life, shared stories can help us connect on a deeper level.
I love being absorbed in a film’s world and experiencing its sheer scale. For me, a truly memorable film is one that offers not only spectacle but also substance—the psychological depth beneath that experience, something emotionally honest and intellectually challenging that I can carry back into my own life. Above all, I look out for movies so immersive that they make me forget I’m watching a film.
The possibility of building worlds and telling stories that are not bounded by the rules of reality and creating shared experiences out of them for a global audience keeps me motivated. The relentless challenges of painting these larger-than-life visions on the biggest canvas possible without sacrificing quality keep me curious and alert.

Get in touch
For writing, direction and creative collaboration, get in touch directly.
Dare the unprecedented